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    Image result for how to tell your story so the world listens

    I decided to select this book from the reading list we were given as the title spoke to me the most from the list. “How to tell your story so the world listens” sounded like a very powerful statement and one that would be very helpful on my fashion communications course. What I have found since starting the course is that much of what we do is about researching, developing and crafting a story around the brand/product. I thought this book could really help my understanding of how promoting an idea works.


    The book is a quick read, able to be read in just over an hour. It is however jam-packed with advice, tips and an anecdote that expands on a few main pieces of advice that Buster explains are bible when attempting to tell your own story. Some of these are fairly obvious pieces of advice that you would have been taught in English class, such as ensuring you explain the what, where, who, how and when of a story. Others are a little more obscure ideas that focus on how to get people to relate to your story, such as focusing on a gleaming detail that may originally seem irrelevant in the tale but by the end holds a large part, such as the bike in ET. At the beginning, it was just a bike and by the end becomes part of the most memorable scene in the film.

    I found the most powerful message in this book to be the idea that we all have a narrative and 'we are all in the midst of a great story'. I find this to be a very inspirational idea, especially when in a bit of a rubbish mood or mindset. Even when things aren’t going my way it helps to remember this as we are in huge control of our life story.

    The end of the book has a section of exercises to help readers to evoke their own inner story by looking back at their childhood experiences, times that changed lives and even about antagonists that you may have had in your lives. These are such personal prompts, ones that Buster does share a few answers she has heard. The responses were surprisingly emotional, one student even a survivor of a tsunami that made it through by realizing we all have our own narrative in life, a very powerful idea that helped her to persist and meant that she lived to tell her tale.

    Overall, I would say the book is a decent read. I can’t say my life has changed since reading it but I think that it will be particularly helpful for those who are planning for a public speaking event or something similar. I hope that it will help my approach to further projects.
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    North: Fashioning Identity
    At Somerset House

    Image result for north fashion identity
    Alice Hawkins, The Liver Birds

    In the Summative Project, I was tasked with the Outcome of Lens. I selected to visit this particular exhibition as it focused on how fashion and photography can work together to capture the identity of the North of England. I was also immediately intrigued by the advertised image that featured on the advertisements, the image shown at the top of the page, had a beauty to it and also a level of intrigue about the beautiful women in such a rough setting. 

    The exhibition featured fashion collections, art pieces, photography as well as documentary films and photography. This mix of documentary and art worked perfectly as both looked to capture the Northern English spirit and take on society. 
    The main angle of the exhibition looked to seek what is meant of the North, there is no true line defining the North or South, so why is such a change in identity seen? 
    Image result for north fashion identity
    Tim Walker for British Vogue, August 2008

    Ewen Spencer, 2000

    "Gino's Coffee" (1969) by Eric Jaquier
    Eric Jaquier, 1969


    I found these images particularly powerful and they stood out from the exhibition to me, conveying images that are often seen from the North. The exhibition also featured short film and art pieces.


    A still from a film that was being played

    A locker showpiece, filled with some stereotypically North item

    The end of the exhibition featured the social documentary, long commentary from many Northerners speaking of their childhood experience and how it was growing up in the North of England. Their stories were touching and the rooms layout made me want to stay longer to listen. The phone acted as headphones for the viewer to listen to.




    The exhibition really aided my work towards the lens outcome I am to develop, giving me many new ideas and more inspiration to guide my idea generation. I definitely recommend visiting!


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    Image result for italian vogue domestic violence

    I can imagine that for most fashion students, their goals in life would be very similar to mine and although I'm debating many other routes, a life dream would be to have the title of editor-in-chief of a huge name such as Vogue.

    I was inspired to write this post after watching the documentary about the Italian Vogue editor in chief from 1988 to 2016, Franca Sozzani. The documentary was titled 'Franca: Chaos & Creation' and was directed by her son, his aim was to understand and learn more about his mothers career.
    She was made the editor in chief after working for Vogue Bambini and Per Lui before that. 
    During her time in her position, Franca was seen as a highly controversial editor. Many of her issues were seen as of ill taste and were highly criticised by many. I personally saw her features as confronting issues and bringing them into light through the fashion magazine. Although it may not be the place you expect to see societal issues, she asked why not see them here? 


    If domestic violence is an issue, let's bring that to light.

    Many said this was exploitive of women's issues and seen to romanticise struggle to sell magazines.

    Related image


    I see the shoot as highly glamorous, fitting in perfectly to the luxe pages due to the styling and direction, however the message of the shoot is much more important than the normal editorials on the new trends or fads. 
    Another highly controversial editorial includes their commentary on the BP Oil spill in 2010. The inspiration came from the horrible environmental disaster and sees the model oil-slicked and sickly looking. I believe that by humanising the disaster it evoked emotion from the viewer, as art and photography should aim to do. Instead, people insisted that the shoot was of bad taste and even protested Franca's role in Vogue.

    Image result for italian vogue oil spillImage result for italian vogue oil spillImage result for italian vogue oil spill

    The images are highly disturbing and evoke very strong emotion, I think that as the Franca should have been applauded for using the magazine as a platform to make social commentary. 
    Image result for franca the chaos and creation


    If you want to watch the Documentary it is available on Netflix and other streaming services.

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    About Me

    Nottingham based fashion student, looking to break into the PR and social media careers. Particularly interested in trend, culture and events.

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